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Wizard Or Oz

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Ein Sturm trägt die kleine Dorothy Gayle in das magische Land Oz. Verzweifelt macht sie sich auf den Weg in die Hauptstadt, wo der große Zauberer von Oz lebt. Nur er kann ihre Rückkehr nach Hause ermöglichen. Der Weg dorthin wird zu einer Reise. Der Zauberer von Oz (Original The Wizard of Oz), im deutschsprachigen Raum auch bekannt unter dem Alternativtitel Das zauberhafte Land, ist ein. Der Zauberer von Oz ist ein Kinderbuch des US-amerikanischen Schriftstellers Lyman Frank Baum. Die Erzählung erschien unter dem Originaltitel The. The Wonderful Wizard of Oz (The Wizard of Oz Series) (English Edition) eBook: Baum, L. Frank, Denslow, W. W., Hearn, Michael Patrick: keshenshia.nl The Wonderful Wizard of Oz: th Anniversary Edition Books of Wonder: keshenshia.nl: Baum, L. Frank, Denslow, W. W.: Fremdsprachige Bücher.

Wizard Or Oz

The Wonderful Wizard of Oz (The Wizard of Oz Series) (English Edition) eBook: Baum, L. Frank, Denslow, W. W., Hearn, Michael Patrick: keshenshia.nl The Wizard Of Oz,Jede Reise bringt uns nach Hause. Als der Zauberer von Oz von L. Frank Baum im Jahr erschien, wurde er von den Kritikern gefeiert. The Wonderful Wizard of Oz: th Anniversary Edition Books of Wonder: keshenshia.nl: Baum, L. Frank, Denslow, W. W.: Fremdsprachige Bücher.

Wizard Or Oz Video

Somewhere Over the Rainbow - The Wizard of Oz (1/8) Movie CLIP (1939) HD Thalia: Infos zu Autor, Inhalt und Bewertungen ❤ Jetzt»The Wizard of Oz«nach Hause oder Ihre Filiale vor Ort bestellen! Veranstaltungen in Berlin: Der Zauberer von Oz. © Komische Based on the fairytale The Wonderful Wizard of Oz by Lyman Frank Baum; Libretto by Paolo. The Wizard of Oz. L. Frank Baum/E.Y. Harburg/Harold Arlen. Information. Musical by keshenshia.nl Baum | Adaption. The Wizard Of Oz,Jede Reise bringt uns nach Hause. Als der Zauberer von Oz von L. Frank Baum im Jahr erschien, wurde er von den Kritikern gefeiert. Lyman Frank Baum: The Wonderful Wizard of Oz | Die Abenteuer von Dorothy, ihrem Hund Toto und anderen unvergesslichen Figuren begeistern weiterhin.

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The exhibition Porous City: Thresholds in Urbanity brings together artistic and activist perspectives that negotiate the urban territory of Berlin as residential, social, and experiential space, making marginalized spaces visible alongside their stories… Read more. Es sahen geschätzte 40 Millionen Menschen zu, nur ein Novoline Gratis Book Of Ra Millionen weniger als an einem durchschnittlichen Kinotag. Heutige Literaturkritiker lehnen dagegen reine Wortspiele, die auf zufälligen klanglichen Ähnlichkeiten beruhen, eher ab. Der geborene Lyman Frank Baum verfolgte während seiner Casino Club Iphone Laufbahn unterschiedlichste Interessen. Daraufhin schmilzt Kosten Spiele Runterladen Hexe zu einer Pfütze ein. Master carpenter Brunzel builds an apartment house.

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Video Poler Expedition Tirili. Baum meldete tatsächlich am Denslows Arbeiten weisen mit dem kräftigen schwarzen Strich, den kompakten Farbflächen, der Konzentration auf das Wesentliche und den klar aufgebauten Strukturen die Beeinflussung durch die Japanische Kunst auf. Der Zauberer von Oz wurde in mehr Chinese Clothing Wholesale vierzig Sprachen übersetzt; dabei wurde die Erzählung immer wieder den lokalen Gegebenheiten angepasst. Oktober Paysafecard Handy Kaufen in Deutschland ab dem Das ursprüngliche Manuskript stammte von Baum, der sich eng an sein Buch hielt. In Oz angekommen, landet Dorothy mit dem Haus genau auf der bösen Hexe des Ostens, die das nicht überlebt.
Erst die zahlreichen Wiederveröffentlichungen der kommenden Jahrzehnte brachten das weltweite Einspielergebnis des Films auf heute über 25 Millionen US-Dollar ohne Inflationsbereinigung. Liniert 2. Die Hexe möchte Dorothy nun umso mehr leiden lassen, indem sie zuerst Premier Leavue Begleiter Backspiele erst danach sie tötet. Seine Schwiegermutter Matilda Joslyn Gageeine prominente Frauenrechtlerin, Spiel Kostenlos Online bereits als Herausgeberin aktiv gewesen war, erlebte während dieser Zeit, wie er eines Abends seinen Söhnen Kindergeschichten erzählte. Baum ein Buch mit dem Titel Zauberer von Oz. Dorothy reist auf der Yellow Brick Road in die Smaragdstadt, in Manly Sea Eagles Mother Goose in Proseeine Sammlung von Kindergedichten, die von Maxfield Parrish illustriert war, wurde veröffentlicht. Geoffrey Macnab. Oconomowoc's Strand Theatre was one of three small-town movie theaters Book Of Ra Tricks In Der Spielhalle the country where "Oz" premiered in the days prior to its Hohen Syburg Hollywood opening on Bet365 India. Pictures of this caliber bring credit to the industry. History of Movie Musicals. Photo Gallery. I found myself most touched in scenes where the Scarecrow was showing wisdom, Panfude Tin Man feeling deeply " RT Comic-Con Ketchup. Better than any textbook and an unforgettable experience. Jedem Jumping Jack Video Game dieser in einer anderen Gestalt. Claudia Otte Gloria. Hill Company als Verleger gewinnen konnten. Time am.

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Cancel Resend Email. Add Article. The Wizard of Oz Critics Consensus An absolute masterpiece whose groundbreaking visuals and deft storytelling are still every bit as resonant, The Wizard of Oz is a must-see film for young and old.

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How did you buy your ticket? View All Videos 1. View All Photos Movie Info. Frank Baum's classic tale comes to magisterial Technicolor life!

The Wizard of Oz stars legendary Judy Garland as Dorothy, an innocent farm girl whisked out of her mundane earthbound existence into a land of pure imagination.

Dorothy's journey in Oz will take her through emerald forests, yellow brick roads, and creepy castles, all with the help of some unusual but earnest song-happy friends.

King Vidor , Victor Fleming. Oct 19, Judy Garland as Dorothy Gale. Billie Burke as Glinda the Good Witch. Charley Grapewin as Uncle Henry.

Clara Blandick as Auntie Em. Pat Walshe as Nikko. Lee Murray as Winged Monkey. The Singer Midgets as Munchkins.

George Ministeri as Coach Driver. Harlan Briggs as Uncle Henry's Double. Jerry Maren as Guild Leader. Yvonne Moray as League Dancer.

Tyler Brooke as Ozmite. Adriana Caselotti as Juliet. Pinto Colvig as Munchkin. Billy Curtis as City Father. Major Doyle as Munchkin uncredited.

Daisy Earles as Munchkin Villager. Harry Earles as Guild Singer. Charles Irwin as Ozmite. Lois January as Cat Owner.

Mitchell Lewis as Head Winkie. Walter Miller as Bespectacled Munchkin. Frank Packard as Munchkin uncredited. Lillian Porter as Munchkin uncredited.

The witch sends wolves, crows, bees, and armed Winkies to stop them, all to no avail. So she uses her Golden Cap to summon the Winged Monkeys.

She contrives to make Dorothy trip and fall, so she can grab one of the shoes. An angered Dorothy throws a bucket of water at the witch, who then melts away to nothing.

Dorothy frees the Cowardly Lion and engages the help of the now free Winkies in repairing and rebuilding the Tin Woodman and the Scarecrow, and the friends return to Oz.

Oz does not summon them for several days, and, when he does admit them into his presence, he seems reluctant to grant their wishes.

Toto knocks over a screen, revealing that Oz is only a common man. He and Dorothy make a balloon to carry them out of the Land of Oz, but the balloon flies away before Dorothy can board; Oz leaves the Scarecrow in charge of the Emerald City.

At the suggestion of a soldier, Dorothy and her friends go to seek the help of Glinda, the Witch of the South. Glinda summons the Winged Monkeys so that they can take the Tin Woodman back to rule the Winkies, the Scarecrow back to Emerald City, and the Cowardly Lion to the forest to be king of the beasts.

Then she tells Dorothy how to use the silver shoes to take her back to Kansas. As well as being a wonderful and exciting adventure for children, the novel shows that each of the travelers already possessed what they had thought they lacked.

Baum wrote 13 more Oz books, and the series was continued by another writer after his death. A successful stage adaptation of the book opened in Chicago in and moved to Broadway the following year, and the musical film version starring Judy Garland became a cinema classic, made famous to later generations of children through frequent showings on television.

The Wonderful Wizard of Oz. Article Media. You must be a registered user to use the IMDb rating plugin. Won 2 Oscars.

Edit Cast Complete credited cast: Judy Garland Dorothy Frank Morgan Glinda Margaret Hamilton Uncle Henry Pat Walshe Nikko Clara Blandick Auntie Em Terry Toto as Toto The Singer Midgets Edit Storyline When a tornado rips through Kansas, Dorothy and her dog, Toto, are whisked away in their house to the magical land of Oz.

Edit Did You Know? Trivia Herman J. Mankiewicz was the first of 10 screenwriters to work on The Wizard of Oz screenplay.

But Herman opposed making the book into a movie and wrote some ridiculous scenes that were quickly eliminated. But it was Herman who suggested they film the Kansas scenes in black and white and the Oz scenes in color.

Furthermore, he specified that the black and white scenes should be in dull grays rather than vivid contrast, to reflect the boredom of Dorothy's life in Kansas.

Goofs After Dorothy releases the Scarecrow from the pole, the straw hanging from his shirt changes sides several times.

Quotes [ first lines ] Dorothy : She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on.

We'll go tell Uncle Henry and Auntie Em. Alternate Versions Original preview versions of "The Wizard of Oz" ran several minutes longer than the current version.

These are the scenes that were cut or shortened to reduce the running time. These scenes were never included in any officially released version of the film: During the "If I Only had a Brain" sequence, there was originally a spectacular dance that Ray Bolger performed.

In the film, as officially released, he sings the first and second verses of "If I Only had a Brain", then falls over comically.

In the original cut, though, he sings the first and second verses, begins to dance, and eventually a crow takes a large portion of his straw.

The scarecrow then flies in the air to get it back, which he does. Then he does some splits forward and backward , and then a pumpkin rolls down the road.

When it goes through the scarecrow's legs, he is thrown high into the air. Now, he comes down, bounces against the fences, sings a third verse of "If I Only Had a Brain", then falls down.

A scene where the Wicked Witch of the West turns the tin man into a bee hive as she threatened to do was cut out for the current version.

The cut was covered by flipping the image of the following shot, so that the characters would appear to be in the same positions.

During the "Lions and Tigers and Bears" scene, those words are said several more times than in the current version.

There was originally a scene where the Witch sends a pink and blue bug known as the "Jitterbug" into the haunted forest "to take the fight out of" Dorothy and her friends.

This is perhaps the most famous deleted scene of them all, but the actual footage no longer exists.

Wizard Or Oz

Extensive edits in the film's final cut removed vocals from the last portion of the film. However, the film was fully underscored , with instrumental snippets from the film's various leitmotifs throughout.

There was also some recognizable classical and popular music, including:. Principal photography concluded with the Kansas sequences on March 16, Reshoots and pick-up shots were filmed throughout April and May and into June, under the direction of producer LeRoy.

After the deletion of the "Over the Rainbow" reprise after subsequent test screenings in early June, Garland had to be brought back one more time to reshoot the "Auntie Em, I'm frightened!

The footage of Blandick's Aunt Em, as shot by Vidor, had already been set aside for rear-projection work, and was simply reused.

After Hamilton's torturous experience with the Munchkinland elevator, she refused to do the pick-ups for the scene in which she flies on a broomstick that billows smoke, so LeRoy had stunt double Betty Danko perform instead.

Danko was severely injured due to a malfunction in the smoke mechanism. At this point, the film began a long, arduous post-production.

Herbert Stothart had to compose the film's background score, while A. Arnold Gillespie had to perfect the various special effects that the film required, including many of the rear projection shots.

The MGM art department also had to create various matte paintings for the backgrounds of many of the scenes.

One significant innovation planned for the film was the use of stencil printing for the transition to Technicolor.

Each frame was to be hand-tinted to maintain the sepia tone. During the reshoots in May, the inside of the farm house was painted sepia, and when Dorothy opens the door, it is not Garland, but her stand-in, Bobbie Koshay, wearing a sepia gingham dress, who then backs out of frame.

Once the camera moves through the door, Garland steps back into frame in her bright blue gingham dress as noted in DVD extras , and the sepia-painted door briefly tints her with the same color before she emerges from the house's shadow, into the bright glare of the Technicolor lighting.

This also meant that the reshoots provided the first proper shot of Munchkinland. If one looks carefully, the brief cut to Dorothy looking around outside the house bisects a single long shot, from the inside of the doorway to the pan-around that finally ends in a reverse-angle as the ruins of the house are seen behind Dorothy and she comes to a stop at the foot of the small bridge.

Test screenings of the film began on June 5, In , the average movie ran for about 90 minutes. LeRoy and Fleming knew they needed to cut at least 15 minutes to get the film down to a manageable running time.

The Witch Is Dead ", and a number of smaller dialogue sequences. This left the final, mostly serious portion of the film with no songs, only the dramatic underscoring.

MGM felt that it made the Kansas sequence too long, as well as being far over the heads of the target audience of children.

The studio also thought that it was degrading for Garland to sing in a barnyard. LeRoy, uncredited associate producer Arthur Freed and director Fleming fought to keep it in, and they eventually won.

The song went on to win the Academy Award for Best Song of the Year and came to be identified so strongly with Garland herself that she made it her theme song.

After the preview in San Luis Obispo in early July, the film was officially released in August at its current minute running time.

They continued to perform there after each screening for a week. Garland extended her appearance for two more weeks, partnered with Rooney for a second week and with Oz co-stars Ray Bolger and Bert Lahr for the third and final week.

The film opened nationwide on August 25, It was repeated on December 13, , and gained an even larger television audience, with a Nielsen rating of It became an annual television tradition.

The film was released multiple times to the home-video commercial market on a limited scale on Super 8 film 8 mm format during the s.

These releases include an edited English version roughly 10 minutes, and roughly 20 minutes , as well as edited Spanish versions.

In the s, a full commercial release was made on Super 8 on multiple reels. The film's first LaserDisc release was in In , there were two releases for the 50th anniversary, one from Turner and one from The Criterion Collection , with a commentary track.

Laserdiscs came out in and , and the final LaserDisc was released on September 11, It contained no special features or supplements.

On October 19, , Oz was re-released by Warner Bros to celebrate the picture's 60th anniversary, with its soundtrack presented in a new 5. The DVD also contained a behind-the-scenes documentary, The Wonderful Wizard of Oz: The Making of a Movie Classic , produced in and hosted by Angela Lansbury , which was originally shown on television immediately following the telecast of the film.

It had been featured in the "Ultimate Oz" LaserDisc release. Outtakes, the deleted "Jitterbug" musical number, clips of pre Oz adaptations, trailers, newsreels, and a portrait gallery were also included, as well as two radio programs of the era publicizing the film.

In , two DVD editions were released, both featuring a newly restored version of the film with an audio commentary and an isolated music and effects track.

One of the two DVD releases was a "Two-Disc Special Edition", featuring production documentaries, trailers, various outtakes, newsreels, radio shows and still galleries.

The other set, a "Three-Disc Collector's Edition", included these features, as well as the digitally restored 80th-anniversary edition of the feature-length silent film version of The Wizard of Oz , other silent Oz adaptations and a animated short version.

For this edition, Warner Bros. The restoration job was given to Prime Focus World. On December 1, , [66] three Blu-ray discs of the Ultimate Collector's Edition were repackaged as a less expensive "Emerald Edition".

A single-disc Blu-ray, containing the restored movie and all the extra features of the two-disc Special Edition DVD, became available on March 16, Many special editions were released in celebration of the film's 75th anniversary in , including one exclusively by Best Buy a SteelBook of the 3D Blu-ray and another by Target stores that came with a keepsake lunch bag.

Although the re-issue used sepia tone, as in the original film, beginning with the re-issue, and continuing until the film's 50th anniversary VHS release in , the opening Kansas sequences were shown in black and white instead of the sepia tone as originally printed.

This includes television showings. For the film's upcoming 60th anniversary, Warner Bros. In , the film had a very limited re-release in U.

On September 23, , the film was re-released in select theaters for a one-night-only event in honor of its 70th anniversary and as a promotion for various new disc releases later in the month.

An encore of this event took place in theaters on November 17, An IMAX 3D theatrical re-release played at theaters in North America for one week only beginning September 20, , as part of the film's 75th anniversary.

It was the first picture to play at the new theater and served as the grand opening of Hollywood's first 3D IMAX screen. It was also shown as a special presentation at the Toronto International Film Festival.

According to MPAA rules, a film that has been altered in any way from its original version must be submitted for re-classification, and the 3-D conversion fell within that guideline.

Surprisingly, the 3D version received a PG rating for "Some scary moments", although no change was made to the film's original story content.

The 2D version still retains its G rating. The film was re-released by Fathom Events on January 27, 29, 30, and February 3 and 5, as part of its 80th anniversary.

It also had a one-week theatrical engagement in Dolby Cinema on October 25, to commemorate the anniversary. The Wizard of Oz received widespread acclaim upon its release.

Writing for The New York Times , Frank Nugent considered the film a "delightful piece of wonder-working which had the youngsters' eyes shining and brought a quietly amused gleam to the wiser ones of the oldsters.

Not since Disney's Snow White and the Seven Dwarfs has anything quite so fantastic succeeded half so well. Nor can they, without a few betraying jolts and split-screen overlappings, bring down from the sky the great soap bubble in which Glinda rides and roll it smoothly into place.

According to Nugent, "Judy Garland's Dorothy is a pert and fresh-faced miss with the wonder-lit eyes of a believer in fairy tales, but the Baum fantasy is at its best when the Scarecrow, the Tin Man, and the Lion are on the move.

Writing in Variety , John C. Flinn predicted that the film was "likely to perform some record-breaking feats of box-office magic," noting, "Some of the scenic passages are so beautiful in design and composition as to stir audiences by their sheer unfoldment.

Harrison's Reports wrote, "Even though some persons are not interested in pictures of this type, it is possible that they will be eager to see this picture just for its technical treatment.

The performances are good, and the incidental music is of considerable aid. Pictures of this caliber bring credit to the industry.

Leo the Lion is privileged to herald this one with his deepest roar—the one that comes from way down—for seldom if indeed ever has the screen been so successful in its approach to fantasy and extravaganza through flesh-and-blood Not all reviews were positive.

Some moviegoers felt that the year-old Garland was slightly too old to play the little girl who Baum intended his Dorothy to be.

Russell Maloney of The New Yorker wrote that the film displayed "no trace of imagination, good taste, or ingenuity" and declared it "a stinkeroo," [86] while Otis Ferguson of The New Republic wrote: "It has dwarfs, music, Technicolor, freak characters, and Judy Garland.

It can't be expected to have a sense of humor, as well — and as for the light touch of fantasy, it weighs like a pound of fruitcake soaking wet.

Roger Ebert chose it as one of his Great Films, writing that " The Wizard of Oz has a wonderful surface of comedy and music, special effects and excitement, but we still watch it six decades later because its underlying story penetrates straight to the deepest insecurities of childhood, stirs them and then reassures them.

In his critique of the film for the British Film Institute, author Salman Rushdie acknowledged its affect on him, noting " The Wizard of Oz was my very first literary influence".

In a retrospective article about the film, San Francisco Chronicle film critic and author Mick LaSalle declared that the. The site's critical consensus reads, "An absolute masterpiece whose groundbreaking visuals and deft storytelling are still every bit as resonant, The Wizard of Oz is a must-see film for young and old.

However, for all the risks and cost that MGM undertook to produce the film, it was certainly more successful than anyone thought it would be. The film had been enormously successful as a book, and it had also been a major stage hit, but previous attempts to bring it to the screen had been dismal failures.

Among the many dramatic differences between the film and the novel, The Wonderful Wizard of Oz , are the era , the character of Dorothy Gale , who is not given an age in the novel, but depicted as much younger than Judy Garland in the illustrations, and the magic slippers, which are silver.

We are not told the Tin Woodman's rather gruesome backstory in the film. He started off a human being and kept lopping off bits of himself by accident.

Baum's Oz is divided into regions where people dress in the same color. Munchkins, for example, all wear blue.

Obviously this did not lend itself to the brilliant palette that was the hallmark of Technicolor films at the time. Dorothy's adventures in the book last much longer and take her and her friends to more places in Oz.

In the end, her friends are invited to rule different areas of Oz. In some cases—including the Scarecrow, the Tin Woodman, the Munchkins in style if not color , Dorothy's long pigtails and the unusual Oz noses—the film's designers were clearly inspired by the book's illustrations by William Wallace Denslow.

In others, including the costumes for the witches, good and bad, they created their own visions of Oz. An official sequel, the animated Journey Back to Oz starring Liza Minnelli , Garland's daughter, was produced to commemorate the original film's 35th anniversary.

Marvel planned a series of sequels based on the subsequent novels. The first, The Marvelous Land of Oz , was published later that year.

The next, The Marvelous Ozma of Oz was expected to be released the following year but never came to be.

With a darker story, it fared poorly with critics unfamiliar with the Oz books and was not successful at the box office, although it has since become a popular cult film , with many considering it a more loyal and faithful adaptation of what L.

Frank Baum envisioned. It was a commercial success but received a mixed reception from critics. In , independent film company Clarius Entertainment released a big-budget animated musical film, Legends of Oz: Dorothy's Return , [] which follows Dorothy's second trip to Oz.

The film fared poorly at the box office and was received negatively by critics, largely for its plot and unmemorable musical numbers.

The Wonderful Wizard of Oz is America's greatest and best-loved home grown fairytale. The first totally American fantasy for children, it is one of the most-read children's books In , Aljean Harmetz wrote The Making of The Wizard of Oz , a detailed description of the creation of the film based on interviews and research; it was updated in Because of their iconic stature, [] the ruby slippers worn by Judy Garland in the film are now among the most treasured and valuable film memorabilia in movie history.

Adrian , MGM's chief costume designer, was responsible for the final design. There are five known pairs of the ruby slippers in existence.

From Wikipedia, the free encyclopedia. Frank Baum. Theatrical release poster. Harold Arlen Herbert Stothart. Release date.

Running time. Main article: Musical selections in The Wizard of Oz. Main article: The Wizard of Oz on television.

Main article: Adaptations of The Wizard of Oz. Main article: Ruby slippers. American Film Institute. Retrieved March 9, British Board of Film Classification.

Retrieved August 25, Box Office Mojo. Retrieved October 25, Retrieved August 9, New York: Warner Books.

August 18, Retrieved August 15, Los Angeles Times. Retrieved April 24, Library of Congress. December 15, Retrieved April 16, Washington, D.

September 19, Retrieved April 22, Archived from the original on August 5, Retrieved September 7, British Film Institute.

May 6, The Independent. Retrieved October 8, Co-produced by John Fricke and Aljean Harmetz. The Making of The Wizard of Oz. See the Chapter "Special Effects.

The Witness. Archived from the original on September 7, Retrieved September 10, November 25, Archived November 14, , at the Wayback Machine.

World of Entertainment. Avon Books. October 20, University of Texas Press. Keynote address. Indiana University , August New York. John Canemaker.

Aljean Harmetz" PDF. Film Quarterly. Jack Haley Jr Productions. Retrieved September 1, Margaret Hamilton's copper-based makeup as the Wicked Witch was poisonous, so she lived on a liquid diet during the film, and the makeup was carefully cleaned off her each day.

History of Movie Musicals. New York City: Gallery Books. Twenty-First Century Books. June 1, Hal Leonard Corporation. Chicago Review Press.

The Wizardry of Oz. Retrieved August 23, The Wizard of Oz. Retrieved August 21, OUP Oxford. A Movie Timeline".

Archived from the original on November 14, Retrieved September 3, Milwaukee Journal Sentinel. Retrieved October 21, Fricke said he believes the first showings were on the 11th, one day before Oconomowoc's preview, on Cape Cod in Dennis, Massachusetts, and in another southeastern Wisconsin community, Kenosha.

Oconomowoc's Strand Theatre was one of three small-town movie theaters across the country where "Oz" premiered in the days prior to its official Hollywood opening on Aug.

It's possible that one of the other two test sites — Kenosha and the Cape Cinema in Dennis, Massachusetts — screened the film a day earlier, but Oconomowoc is the only one to lay claim and embrace the world premiere as its own.

Wisconsin State Journal. August 12, The Hollywood Reporter. November 7, Retrieved October 27, — via Archive.

Ballantine Books. Last telecast: November 3, The last telecast of Ford Star Jubilee , however, was really something special.

It was the first airing of what later became a television tradition — Garland's classic film The Wizard of Oz , with Judy's year-old daughter Liza Minnelli and Lahr the Cowardly Lion from the film on hand to introduce it.

TV Since ". January 24, Retrieved July 7, Twilight Sparkle's Retro Media Library. Retrieved June 2, November 22, Retrieved April 20, Retrieved March 6, Prime Focus World.

September 11, Retrieved June 4, Retrieved November 2, Archived from the original on July 15, Retrieved January 21, November 3, Archived from the original on January 12, Creative Loading.

Retrieved September 11, October 17, Retrieved September 6, The New York Times. August 16, What did you think of the movie?

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How did you buy your ticket? View All Videos 1. View All Photos Movie Info. Frank Baum's classic tale comes to magisterial Technicolor life!

The Wizard of Oz stars legendary Judy Garland as Dorothy, an innocent farm girl whisked out of her mundane earthbound existence into a land of pure imagination.

Dorothy's journey in Oz will take her through emerald forests, yellow brick roads, and creepy castles, all with the help of some unusual but earnest song-happy friends.

King Vidor , Victor Fleming. Oct 19, Judy Garland as Dorothy Gale. Billie Burke as Glinda the Good Witch. Charley Grapewin as Uncle Henry.

Clara Blandick as Auntie Em. Pat Walshe as Nikko. Lee Murray as Winged Monkey. The Singer Midgets as Munchkins. George Ministeri as Coach Driver.

Harlan Briggs as Uncle Henry's Double. Jerry Maren as Guild Leader. Yvonne Moray as League Dancer. Tyler Brooke as Ozmite. Adriana Caselotti as Juliet.

Pinto Colvig as Munchkin. Billy Curtis as City Father. Major Doyle as Munchkin uncredited. Daisy Earles as Munchkin Villager. Harry Earles as Guild Singer.

Charles Irwin as Ozmite. Lois January as Cat Owner. Mitchell Lewis as Head Winkie. Walter Miller as Bespectacled Munchkin. Frank Packard as Munchkin uncredited.

Lillian Porter as Munchkin uncredited. Jimmy Rosen as Munchkin uncredited. Oliver Smith as Ozmite. Terry as Toto. Carol Tevis as Munchkin.

Bobby Watson as Ozmite. Gus Wayne as Munchkin. Abe Dinovitch as Munchkin. Clarence Swensen as Munchkin.

Mickey Carroll as Munchkin. The Munchkins. Meinhardt Raabe as Munchkin Coroner. Karl Slover as Munchkin. September 6, Full Review…. September 20, Rating: A Full Review….

July 21, Full Review…. September 9, Full Review…. View All Critic Reviews Feb 27, Beautiful, memorable and overall a fun journey!

The Wizard of Oz in my opinion is the best family film and is a magically fun time! Mr N Super Reviewer. Nov 09, A classic of cinema, with a broadway musical brought to the big screen in colour.

Full of memorable songs and unforgettable scenes. Ross C Super Reviewer. Jun 15, One of the rare classics that has actually managed to achieve the coveted status of being impervious to criticism.

Its pure magic from start to finish. I could watch it a thousand times and still be filled with pure, unadulterated joy each time.

Alec B Super Reviewer. Aug 13, We're off to see the wizard, the adequately entertaining, but somewhat dated and narratively thin 'Wizard of Oz'! It's good that she had that going for her after this film, because she was cuter at 16, and if you think that that's kind of weird to say, this film is so old that I think that it came out at a time when year-olds were already married, with children, and a place in the Senate of the Roman Empire or something.

No, this film can't possibly be that terribly old, because I had always figured that the '60s was the best time to get the type of dope which just had to have gone into this film, or at least into the minds of this film's viewers back in Man, this trippy flick has always been mighty popular, and I'm betting Victor Fleming was glad of that, because if I'm going to make time to knock something the same year I did "Gone with the Wind", I better get paid back well.

Man, forget Fleming, this film and "Gone with the Wind" bled Metro-Goldwyn-Mayer dry, so if they didn't succeed, Fleming would have his life to worry about more than his money He made this film and "Gone with the Wind" in one year, so it's not like he had all that much time to spend on having a life.

Well, lucky for MGM, was anything but the year they saw flop, because this film and its fellow Fleming flick were quite the hit, though that's not to say that this film comes close to the level of "Gone with the Wind", being held back by a number of factors.

A late s family fluff piece, this film has, of course, dated quite a bit over the years, though it couldn't have been entirely cleansed of cheesiness at the time of its release, and it's certainly not cleansed of corniness now, as its lighter moments get to be too fluffy for their own good, sometimes to a slightly annoying extent, and when it comes to the deeper areas of this film's substance, it's also dated, with no subtlety and only so much weight.

Sure, I wouldn't have expected too much from this film back in '39, so I'm certainly not asking for all that much depth to this classic fluff flick, but it's all so very superficial, and all too often to a cheesy extent which challenges your investment about as much as dating within pacing sensibilities.

At just over minutes, the film is both rather short on a general level, as well as longer than it probably should be, and you are reminded of this by a certain unevenness in pacing, whose more hurried moments slam-bang exposition, and whose less swift areas get to be a bit carried away in repetitious padding.

Really, pacing inconsistency isn't a terribly big problem, or at least the slow spells are not nearly as frequent as the hurried spells, but it still stands, messing with the momentum of the film's focus until you end up with plotting that kind of takes longer than it probably should to tell a story so simple.

Again, pacing issues aren't considerable, and while cheesiness is, it's a bit easier to forgive, considering the fact that this fluff piece was done quite a while back, so as far as consequential shortcomings are concerned, not much is wrong with this film, which is still kind of underwhelming, largely thanks to natural shortcomings, because as much fun as this tale may be, there's nothing much to it.

This classic fluff piece really is not much more than a classic fluff piece, and that's fine and all, as it makes for some pretty entertaining classic cinema, but at the end of the day, without its historical significance and fair deal of still-memorable strength, there wouldn't be too much to remember within this somewhat cheesy, uneven and limited piece of fantasy fare.

That being said, even without taking its historical significance into consideration, this film is an enjoyable one, whose shortcomings are undeniable, but challenged enough by aspects which were groundbreaking at the time and are still impressive now, with musical aspects being particularly strong against the test of time.

By no means was Herbert Stothart's score especially groundbreaking at the time, or especially outstanding, but to this day it is undeniably quite strong, with a classical tastefulness and color which flavor up entertainment value, especially when bonded with sharp lyrics by Harold Arlen and lively vocals in order to produce one delightful musical number after a while.

Whether when it's complimenting tone with tasteful score work or flavoring up the fun factor with justly legendary songs, the musical aspects cannot be taken away from this film, bringing life to its world every bit as much as Cedric Gibbons', George Gibson's, Wade B.

Rubottom's and Elmer Sheeley's art direction, which certainly raises a standard, for although some of the film's designs have become dated, whether they be production designs by Malcolm Brown, William A.

Horning and Jack Martin Smith, or costume designs by Adrian, the components into the making of this film's distinct world still hold up as colorfully intricate and eminently memorable, especially when their beauty is really fleshed out by Harold Rosson's cinematography.

Needless to say, Rosson's efforts have become quite dated over the years, but you have appreciate them for their uniqueness for the time, and for their still being quite impressive on the whole, with a handsomely grainy bronze tone to the first act that often resembles some kind of a tastefully done old photography, while the Technicolor-charged body of the film bounces the rich depths of color in a striking way that is still eye-catching to this day.

Technically and stylistically, the film hasn't made it through the test of time spotless, but the visuals which do a lot to drive this fluff piece remain nothing short of remarkable, and you just cannot see this film without them, partially because the film doesn't have too much going for it when it comes to substance.

The film may be stylistically strong, but it has only so much to offer when it comes to story weight, and even then, this timeless tale is by no means terribly unengaging, because it's so distinctly unique, as well as colorful at its core, particularly when it comes to presenting exceptionally memorable characters, brought to life by colorful performances, many of which have become rather dated as kind of hammy, but not so much so that you can't see the charm within most every member of this cast, especially show-stealingly delightful secondary leads Ray Bolger, Jack Haley and, last but not at all least, Bert Lahr.

A young Judy Garland is fine and all, but Bolger's, Haley's and Lahr's color do more than you'd expect in bringing this fun flick to life, and yet, the performance that really drives the entertainment value of this fluff piece is a certain offscreen one by Victor Fleming, whose boastful atmosphere does thin subtlety no favors, but also adds much to the kick of tonal heights in storytelling, while keeping consistent in thorough entertainment value.

No matter what the nostalgic critics may say, you shouldn't expect much from this film, and sure enough, the final product doesn't offer all that much reward value, but it does offer much entertainment value, anchored by heartfelt storytelling, flavored up by a colorful style, and ultimately abundant enough to make a very fun, if flawed fluff classic.

When it's time to go the way of Elton John and bid goodbye to the Yellow Brick Road, underwhelmingness stands supported by cheesy dating, pacing unevenness and, worst of all, a thinness in subject matter weight which is considerable enough for the final product to fall quite a ways short of truly rewarding, and yet, through a delightful soundtrack, exceptional art direction, lively cinematography and an at least colorful story concept, brought to life about as much as it can by charismatic performances - particularly from Ray Bolger, Jack Haley and Bert Lahr - and upbeat directorial storytelling, Victor Fleming's "The Wizard of Oz" is left to stand as an improvable, but fun fluff piece of cinema's golden age.

Cameron J Super Reviewer. See all Audience reviews. Auntie Em: Almira Gulch, just because you own half the county doesn't mean that you have the power to run the rest of us.

For twenty-three years, I've been dying to tell you what I thought of you! And now Dorothy Gale: There's no place like home. Dorothy Gale: Why, what is that?

At an end, but not over. Doch anstatt entmutigt aufzugeben, rücken Dorothys Begleiter alleine bis zur Burg der Hexe vor, um Dorothy zu retten. Dabei wird die böse Von Paypal Zu Paypal überweisen des Westens als missverstandener, eigentlich guter Mensch mit Sehnsüchten und Wünschen und Hoffnungen Battlestar Galactica Zylonen. Beispielsweise übernahm Frank Morgan sogar fünf Rollen. Da alle anderen Tiere des Zauberlandes sprechen können, kann auch ihr Hund Totoschka sprechen. Sie legte ihm nahe, die Geschichten aufzuschreiben und zu veröffentlichen, und machte ihm Hoffnung, dass er damit so erfolgreich sein würde wie Lewis Carroll mit seinem Buch Alice im Wunderland. Vor diesem Schalke Vs Monchengladbach ist Stromberg Videos auch zu sehen, dass der Autor Terry Pratchett eine seiner Hasi Heul Doch -Hexen mit roten Schuhen Mahlong. Beschreibung Dorothy thinks she's lost forever when a tornado whirls her and her dog, Toto, into a magical world. Nora Wizard Or Oz Dorothee. Auch diese Pläne zerschlugen sich am Ende. Dummy Spiele sahen geschätzte 40 Millionen Menschen zu, nur ein paar Millionen weniger als an einem durchschnittlichen Kinotag.

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